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Create a Perfect eBook Using Our Simple Document Uploader




Upload and Formatting

With the BookRix self publishing platform, we have made the creation and selling of eBooks effortless. If you’ve been looking for a simple way to create the best eBook and distribute it to as many online shops as possible, then you’ve come to the right place.

Our BookRix support team recommends that our authors utilize the document upload option, as it properly prepares your eBook. Most authors maintain a backup copy of their work in a program like Microsoft Word or Open Office. Doing so provides ease of storage as well as a sense of safety. If your manuscript is already formatted within the Word doc, then you can easily upload it as is. The advantages of doing this are:

-              Fewer clicks to get your eBook published

-              Automatic creation of table of contents

-              Ability to edit uploaded document

-              Avoid annoying formatting errors that can arise from “copy & paste“ functionality

How do I make my document ideal for uploading?

The chapter title of your document should begin with the heading styles in Word or Open office. When you use the “Heading” feature in the tool bar (NOT to be confused with “Header”) to format each chapter title, the chapters will automatically be created in the editor when you upload the file. The chapters will create a table of contents and are clickable, taking you directly to the selected chapters. It’s that easy.

What else is taken from formatting?

If your document includes images or photos, these will be included in the eBook and will appear centered below the text or on a new page. The formatting “bold”, “italic” and “underline” will also be accepted as well as the text alignment “centered” or “flush right”. In addition, paragraphs and line breaks are detected and incorporated as well.

Why is “copy and paste” not the ideal method to create an eBook?

Although this functionality is still available, our support team advises against it. Creating one chapter at a time often causes formatting errors that are annoying and unnecessary. Many of these errors are manually created and time consuming to fix. Do yourself a favor – try the file upload option. You’ll be pleased you did.

How to Write Effective Book Descriptions: A Guide for Self-Published Authors



The book cover is often the first thing a reader notices. But the book description is the author’s hook. The goal for every self-published author is to peak the reader’s interest so they are enticed to purchase your book. This might sound easy, but time and time again writers will include too much information, not include enough detail, or just fail at making an appealing book blurb.

Fiction author, Richard Ridley, has been writing books for more than 20 years, and is no stranger to marketing his work. Over the years, Richard has mastered the art of writing effective book descriptions, which have lead to stronger book sales. Check out his successful tips below and learn how to effectively write your next book description!

1. Don’t include subplots. When it comes to the book description, the only thing that matters is the main plot or main theme. That’s all you need to focus on when you sit down to write your book description. Including anything else will send you off into an endless loop of “then this happened” moments that will dilute your book description. What is the primary action that drives your book?

2. Keep it under 150 words. This, no doubt, will elicit some moans and groans by a lot of authors. Summarizing a book that consists of tens of thousands of words to just 150 is impossible, right? No. In fact, I am of the belief that you should be able to summarize your book in a single short sentence. Remember, you don’t have to concern yourself with the character development and sub-plots, so those tens of thousands of words it takes to adequately draw a reader into a book aren’t necessary when it comes to your book description. In the simplest terms, what is your book about and what will make readers interested?

3. Write in third person, present tense. Even though your book is most likely told in past tense, your book description is not. You are describing this book as if you’re sitting face to face with the reader, and they’ve asked you what the book is about. You wouldn’t speak to them in the past tense. In addition, the book description is told from third person point-of-view even if you’ve written your book from first person point-of-view.

4. Use emotional power words. You are trying to evoke emotions with your book description, the same emotions that your book evokes. To convey these feelings, you need emotional powers words like tormented, charismatic, passion, obsession, terrifying, etc. There are too many to mention here, but a quick search for “Power Words” on the internet will produces hundreds of words to choose from. Just be careful not to overdo it. Use power words sparingly and strategically. If I had to put a number it, I’d say in a 125 word description, you’d use 6-10 emotional power words.

5. You are not the author. You are not writing your book description as the author. You are writing it as the publisher. Making an impact on the reader is your principal concern. What will move the reader to want to know more about your book? What will motivate the reader to add your book to his or her cart? Write the book description with your head, not your heart. Remember, the book description is marketing material – not literature.

Another thing Richard suggests, and we at BookRix have suggested this as well, is to find your favorite author and books and read through all of their book descriptions. Chances are, they’re getting it right. If you write in a genre outside of what you typically read, then search for those specifically. Read as many as you can, take notes, and identify the formats used.

Richard provided an example of a good book description that he feels was written correctly. The following excerpt is from The Outlander, a Gil Adamson novel:

In 1903 Mary Boulton flees alone across the West, one heart-pounding step ahead of the law. At nineteen, she has just become a widow-and her husband’s killer. As bloodhounds track her frantic race toward the mountains, she is tormented by mad visions and by the knowledge that her two ruthless brothers-in-law are in pursuit, determined to avenge their younger brother’s death. Responding to little more than the primitive instinct for survival at any cost, she retreats ever deeper into the wilderness-and into the wilds of her own mind.

According to Richard:

From the description, I know the book is a psychological thriller featuring a young woman on the run from some very nasty people. I get a hint that her husband may have deserved his fate, but I’m also led to believe that Mary Boulton may be mentally unstable. The description is roughly 90 words. It’s told in third-person, present tense, and I count seven emotional power words (”heart-pounding,” “frantic,” “tormented,” “mad,” “ruthless,” “primitive,” and “wilds”). I only know the main plot: she killed her husband, and now she’s a fugitive running for her life. I picked up the book because of its cover, but I opened the book because of this description. I now own it.

Keep in mind that your book description extends far beyond a side panel in online eBook stores. This description will be used for social media efforts, and for promotional material for your self-publishing efforts.  It’s something for your fans to latch onto. Keep it punchy, clean and concise.

Happy writing, everyone! Best of luck with your book descriptions!

A Kevin Review: Inside the monsters of “Evol”



Evol by Jess Wygle just finished its month long book blog tour (thanks to Reading Addiction Blog Tours).  Before we announce the winner of the BookRix Giveaway ($100 Amazon gift card, an Evol t-shirt and a BookRix Sampler pack of eBooks), there is one last thing that we need to do: A Kevin Review.

Evol is completely entertaining, a very well written, exciting, interesting story and I recommend it to everyone.


I thought I knew more or less what to expect from Ms. Wygle having read and reviewed Keep It Safe which I enjoyed very much. I was unprepared for what I encountered in Evol though. Apples and oranges. First, Keep It Safe is very short comparatively and while it’s kind of the same voice, this is clearly another level and another trip altogether. Seems while I was off busy with other stuff JW was off “wood-shedding” i.e. honing her craft. One has to wonder if she’s been signing papers down at the cross-roads (kidding). Chills and thrills are just the least of it! Holy…Okay, Uh…Evol is completely entertaining, a very well written, exciting, interesting story and I recommend it to everyone. It is also however, a very disturbing story upon which I will comment in a minute.

Story: Precocious young woman of 24, living the life she loves, acting, singing, practicing almost to the point of excess, diligently gathering and perfecting the tools of artistic interpretation like a hunter in sober, thoughtful consideration. (Completely different than Parker from Keep It Safe.) Working hard and keeping up with the required good living to sustain it; the love and company of family and friends, good food and drink. Working in a small theater in West London. Awaiting next week’s debut of a musical in which she’ll mark the fulfillment of one of her career objectives, the portrayal and her interpretation of Christine Daae in The Phantom Of The Opera musical. A role she’d been waiting years for, scored. In love and engaged to be married. It’s a good time to be Venna, the world is her oyster.

With Luke, her fiance, who was recently promoted from sous chef to head chef at a restaurant, busy with the selection and training of his replacement, he drives her to her parents’ house to say good-bye and to have some alone chill time at the house while they go off to her father’s retirement (from the US Marines) dinner with the President and his family in the USA…(One can only wonder what kind of infamy Dad is actually retiring from?) One of the underlined items on mom’s packing list was to pull out the guilt-tripping and brow-beating stops to get Venna on-board to forego her Phantom opening and go along with them. Fat chance. Nope. Dad supports her choice on it too. She’s definitely Daddy’s Girl, but there’s such a nice, sweet mother-daughter relationship there…and the birds were singing…this happens.

One thing especially noteworthy (for me anyway) is how Venna didn’t cave-in or surrender her principles for a second and in the end even sought refuge in the knowledge that as painful as it was to endure, that it would most certainly end, eventually.

The dialogue about whether she should get pregnant before or after the wedding and Luke’s “thoughts” about it is just hilarious. Ah yes!, “Instincts win out” Hahaha! (Our species will survive despite this kind of eloquent blunders, I say. Barring some other catastrophe like…accidental self-annihilation by the military…) Then Venna’s well considered retort; “You make a valid and awfully convincing point. But we need to wait. It’s only a few more months. I promise.” Hah! An “old school” upbringing. There’s no lack of this stuff in her writing now and it really takes you right there. A good tight, colorful yarn, full blown. The banter, like that with mom over her priorities regarding the trip, the typical homey stuff and the attention to the accouterments of “home”, comfort and things we always notice but don’t always have time to bring up in the moment; the waft of flavors on the air upon walking right in through the unlocked front door of the house that “..was and would always be her home”, the music Dad’s listening to while writing out whatever secret military report he’s typing, dating him (his age) and shining up his ex-pat buttons (or medals). Jim Croce?! 70s.

There are so many items and characters I enjoyed in the book I’d like to make mention of but let’s face it, it’s not a short book so I’ll move on to the aforementioned thread.

Now. She’s been in the same theater regularly for 12 years, and met Merrick when she started. Ironically, hers was the dissenting voice among the people there concerning the strange behavior of the seemingly autistic, unofficial stage manager/set-builder/handyman who creeps out most people including her fiancé and her best friend. Merrick. Not a small or weak looking “chap” and easy on the eyes apparently, yet, he was still an easy target for cheap jabs (envy?) with his non-existent social skills and what seemed like a fear of looking people in the eyes. Still, Venna always felt that somewhere deep in there was a someone unworthy of such disdain and ridicule. Well, there’s always at least half a point in intuition.

In the time it took for Merrick to finally bring his plan to life and fulfill his…intentions that morning, we find Venna’s perceptions are drugged away in a blend being first lost and then found. The perceptions of the experience where she finds herself omitted.

We find consciousness safely on the other side of harms way after Venna’s been found. Once again we’re spared the details of what really happened before the fast-forward and held, captive, as the truth and girth of the insanity and the madness trickles in kernels of cautious recollection and conclusions…to summations. I loved it! After first feeling I’d been taken advantage of and forced to wait (not unlike Luke) ;D ..or when I’d felt l’d achieved a something like a complete idea of what had happened, I remembered wondering how one could possibly lay out all of that in “a session” anyway. It’s probably a very human tendency to want to somehow disassociate from such a nightmare too, however impossible it might be and Venna’s reluctance to discuss what really happened; what he’d most certainly done to her, with anyone as well. Of course, how easily can one explain how another human could be responsible for such terror. For one unfamiliar with the atrocities of war, it’s a lot of info to process.

One thing especially noteworthy (for me anyway) is how Venna didn’t cave-in or surrender her principles for a second and in the end even sought refuge in the knowledge that as painful as it was to endure, that it would most certainly end, eventually. Kind of a superhero of a character frankly, enduring such torture with the kind of resolve usually reserved for righteous, underdog patriots spitting victory, knowing they won’t live to regret refusing the opportunity to traitorously cave-in to their captors. Inspiring awe, admiration and respect from every normal person privy to an inkling of it. Especially in Lane.

Because I’m an American I know I’m predisposed (via societal conditioning) to receiving admonishments of the necessity to fear and mistrust and to expect ruin should I fail to heed xenophobic warnings of foreign entities promising unprovoked and senseless violence upon everything I hold dear and how such fiends should be (as they often are) isolated and “put-down” like the mad, rabid dogs they are. What other experience can perfect a mind-set capable of creating this kind of psychological terror as a means of reasoning and negotiation than the dehumanization necessary for war? That in the quest to understand the hows and whys of her ordeal, Venna has come to see through to the “other side”, where the madness makes a certain kind of sense; that he merely wants what poor, “…depraved on account of he’s deprived…” lunatics like Merrick see glimpses of but never participate in. The training received. Their history. You are what you eat.

The loving imprisonment and violence meted out for her own good, which is implicitly “the greater good” with sweet words of endearment, the promises of the end of the pain….amazing stuff. It is almost too believable.

The visceral accumulation of the facts of torture and the effects left behind have in Evol become an intellectual accumulation and along with Venna we see a widening glimpse of a side of humanity we keep telling ourselves in an ‘out of sight, out of mind’ way, doesn’t or just barely exist. They’re rendered to the “necessary evils” category and kept out of polite conversation. Y’know even the idea that the barbarism of “military actions” could be somehow necessary. I mean, she presents the answer for the “whys”. For her, in the moment it’s simple. The training.

That this individual represented by the character has been corrupted as a human by his “line of work”, been trained not only to cause pain, kill and maim but being trained to willfully cause such fear…I know of it because I’ve read about it. I know it’s real and it’s this fact which I find distrubing. Okay, I don’t read books as an excuse to write essays to answer such questions for me or anyone else BUT, I had a nerve struck. In a world where we’re explained how this kind of brutality is necessary and yet we’re answered by a sweet, gentle character in a novel and told that inside that monster there is a hunger for the warmth of touch, for the closeness of intimacy and love that is being confused by the power and permission to commit acts which take it all away.

There are many other reasons to read this wonderfully entertaining and very touching book and I sincerely hope that people read and see what a vision springs from Ms. Jess Wygle, The Vigilante. Just kidding again! It’s scary to think she’ll be ever better the next time. (Shudders!) Don’t miss this one!

- Kevin

Check out other books by Jess Wygle by visiting her BookRix Profile Page! To see the BookRix review of Evol, click HERE. For more reviews, check out the Evol Tour Schedule.

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